Pete and I   (2016Oct10)

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Monday, October 10, 2016                                               9:25 PM

My good friend Pete came by today and we talked briefly about the presidential race and the disgusting Donald. We had a wild session today—I’m still not sure exactly what happened, but I’ve edited the videos, so you can decide for yourselves.

Right now, however, I have a big back-log of musical offerings. Some were delayed by waiting for fresh baby pictures of the princess—there are several improvs and a Haydn piano sonata. Then there are five song-covers and one improv, from Pete and me collaborating this afternoon. All together, it’s quite a concert—but don’t feel like you have to watch it all at once. A lot of production work, after the actual recording, goes into these videos, so I’d prefer they be savored, wherever possible.

Between the inspiration of becoming a grandpa and the turmoil of the campaign season, I’ve had all my buttons pushed lately—and I flatter myself that it’s coming out in the music. I’ve been doing satisfying stuff lately—not all of it recorded and posted to YouTube—but I like to think that what I do post is representative of my recent work. Pete encourages me—so blame him, if you like.

“Wrong Guy”

“Four (4) 60’s Covers”

“MacArthur Park”

 

“Music Room”

“Haydn-and-Improv Hash”

“Philosophical”

“Cautiously Optimistic”

“Sight-Reading a Haydn Piano Sonata”

“Storms May Come”

“A Phoenix, I”

“Mickey’s ‘Mama’ Song”

Cautiously Optimistic   (2016Oct12)

Wednesday, October 12, 2016                                         10:42 AM

This is more like it. I don’t feel like a lone voice crying in the wilderness anymore. Most people seem to have caught on—electing Donald Trump would be just like electing a hog because it had won the blue ribbon at the Iowa State Fair. That’s a good pig—that’s a pig above its peers—but it’s still a pig.

Donald was (and is) a scheming skeeve, first as a real-estate conniver and Manhattan ‘playboy’, then as a reality-TV star who entertained by being pompously cruel. That he had fourteen seasons is a sad commentary on the American TV audience—but enjoying his perfidy, as semi-fictional guilty pleasure, is a far cry from finding him fit to lead the nation.

Cmdr. Spock could have told you right off that a human doesn’t indulge himself at the expense of others for seventy years—and become a model public servant the next day. He’s not a plotline, he’s a person—he doesn’t ‘pivot’, or suddenly transform in any other way—anymore than you or I do. Thus we conclude that his candidacy was nothing more than a quest for self-aggrandizement and power—in other words, an ego-trip.

And I can forgive Trump and Billy B. for their lewdness on the tape—I can even forgive Trump running for President, for the most venal of motivations, and pretending he’s been ‘called’ to public service, out of idealism. I can forgive all that. To forgive is divine. But I ain’t gonna vote for him—no, that’s a fer piece beyond forgiveness.

Hillary Clinton, on the other hand, began her life with a passion for helping children. As her life brought her to positions of influence, she used that influence to help children—and learned that helping families is a great way to do that—and found that a community (or ‘a village’) is a great model for raising every American to a place of opportunity, security, and freedom. Thus her passion for children and her love of country melded into a single driving motivation.

Comparison between the two candidates is laughably unequal. Those who hate Hillary Clinton have very vague and diffuse rage against the status quo—the hysterical intensity of it marks it as a prejudice, rather than a reasoned judgement. When they try to tell me that Hillary is ‘just as bad’ as Trump, I can’t think of how to answer them—except to call them ‘dumb people’ (which rarely helps).

I truly think that the world is getting too complicated for a certain segment of the populace—they view the election as an unfair test—a test they are afraid to fail, as if life had become one long math class—and Trump is waving at them, saying, ‘Easy answer!—Over here!’ They are voting their frustration, not their judgement. Emotions and Democracy don’t mix, any more than emotions and the judicial system, or emotions and the practice of medicine. Passion has its place in politics, but only as passion for good, for the truth, and justice.

Has thirty years of campaigning, media fire-storms, scandals, political infighting, and partisan attacks blunted Hillary’s idealism? I should hope so. Imagine, if you will, what such a ‘refining fire’ would do to your dewy-eyed, youthful dreams, or what it did to mine (and I’m just a regular guy). A battle-scarred pol may seem an uninspiring option to the young absolutists—but we should keep in mind what fights she fought while earning those scars.

They were not legal tussles with creditors and unpaid workmen and excluded minorities. She fought to end school segregation. She fought to get disabled kids the right to be included in our public education system. She fought for health care for people who weren’t rich enough, or healthy enough, to get their own. She has served the public her whole life.

Trump, at the 2nd debate, said she’s been in power for thirty years and ‘has nothing to show for it’. That’s right, Donald—by your lights, Hillary has nothing to show for a lifetime of public service—she hasn’t become a billionaire, or a celebrity TV bully, or cheated decent people out of payment for the work they gave in good faith—nothing to show for her life. Well, except maybe millions of grateful people whose lives have been improved, even saved, by her work—and the respect of decent people like myself.

I was very excited about seeing Hillary Clinton be elected the first woman president of the United States. I didn’t think the Republicans could field an opponent that had a chance against her. I was pretty shocked to realize that the campaign to impugn Hillary Clinton was not only alive and well, but had become rabid—and that the majority of Americans were starting to believe, through sheer persistence of repetition, everything her opponents were accusing her of—no matter how wild.

This was complicated by the fact that Hillary Clinton—the actual human being—is indeed less than perfect. She has made mistakes—and she has been a politician—and decades of attack have spurred her to a few unfortunate verbal rejoinders. I get the feeling she doesn’t suffer fools gladly. Neither do I. But none of that—and certainly none of the hogwash peddled by her haters—changes the fact that she is a whip-smart, doggedly capable person—and we’d be hard-pressed to find a better leader for the next eight years.

But enough—28 days from now, we’ll vote, and then we’ll, finally, know whether we are safe. Vote as if your life depended on it. VOTE.

Something Different (2014Oct28)

I keep to the extremes of classical piano music–I like to play the very old Baroque and Renaissance, or the very late Romantic and Modern composers for keyboard–but there are exceptions, to whit–Haydn, Mozart, and Beethoven (what little of his work is within my technical limits). But Johann Christian Bach (9/5/1735-1/1/1782) the “eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as ‘the London Bach’ or ‘the English Bach’, due to his time spent living in the British capital, where he came to be known as John Bach.” [Quoted from Wikipedia] He falls into the Early Classical, if speaking of the chronology of music history–and is said to have had some influence on Mozart’s works, or at least his concertos–personally, I have trouble hearing such subtleties, so I leave it to you to decide.

One reason I avoid the less titanic composers is that the music of the greats sings out pretty well–even under the fingers of a clumsy dabbler like me–but the delicate and simple music of mere demi-gods such as J.C. Bach really throws a spotlight on inadequate technique–and the poor technique throws it right back, lighting their creations with a guttering fluorescent bulb, rather than the warm sunlight of a proper performer. In spite of this, whenever I make a halfway-decent show of sight-reading some interesting music (and this IS that) I can’t resist posting the proof on YouTube. This is one of those times.

One last thing–I couldn’t blame anyone for passing on 30 minutes of inept classical piano, but you really should give today’s improv a try–it’s got a tangy Spanish flavor at the start that I’m very pleased to have discovered.