Sunday, September 20, 2015 4:15 PM
I played the piano for forty-five minutes today—I’m getting so active that I’m letting a bunch of recordings go—I can’t make a video out of everything I play these days—life is too short.
But I did stitch together all the improvising I did between the Brahms and the MacDowell—it came to just over eleven minutes, but it’s actually three different improvs ‘smushed’ together. The final segment has a break where the camera ends one file and starts another—my camera does that every twenty minutes. If I want to be sure of no interruptions, I have to jump up and restart the recording every time I play a separate piece of music.
The MacDowell is very fragile stuff—I tried to keep the phrasing intact while I let the tempo lag, trying to get my shaky hands to settle in to the proper configuration of each chord to be played. He’s such a romantic, he even added little phrases and poems to the titles of his works:
Xper Dunn plays Piano
September 20th, 2015
Three (3) Pieces by Edward MacDowell
from “New England Idyls”, Op. 62
- An Old Garden
“Sweet alyssum,
Moss grown stair,
Rows of Roses,
Larkspur fair.
All old posies,
Tokens rare
Of love undying
Linger there.”
from “Sea Pieces”, Op. 55
- Nautilus
“A fairy sail and a fairy boat”
from “New England Idyls”, Op. 62
- With Sweet Lavender
“From days of yore,
Of lover’s lore,
A faded bow
Of one no more.
A treasured store
Of lover’s lore,
Unmeasured woe
For one no more.”
I also played the Brahms Opus 117 again, all three intermezzos, like I do every day—I almost posted today’s, but it still isn’t quite ‘there’ yet.