It’s Getting Serious   (2016Apr08)

Friday, April 08, 2016                                              3:32 PM

We’ve reached an awkward point in the political process now—things are narrowing down. People begin speaking of candidates they formerly criticized as the solution to the problem of ‘the lesser of two evils’. Conversely, Bernie Sanders can no longer be unaggressive towards Hillary Clinton, and answered Charlie Rose’s question “Would you support her, if chosen?” by prefacing his ‘yes’ with “I’d consider a Trump or Cruz presidency an unmitigated disaster, so yes, I would support Hillary Clinton is she wins the nomination.” He couldn’t just say ‘yes’, like he would have a few months back—he’s got his gloves off and he’s got to keep them off.

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The funniest part of this process is the simple truth that the very best possible next President of the United States would have to be dragged kicking and screaming into the Oval Office and be locked inside—sentenced, in his or her mind, to the jury duty from hell—and a hell of a way to reward years of selfless public service. Any sensible person can just look at the before and after hair-color of the last few presidents and be able to tell that the job redefines the word ‘difficult’. Only a spark of ambition would drive someone to the madness of seeking the post—and now that we’re getting down to it, that flaw is being brought to the forefront.

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It’s attack time—and, hey, does anyone else get the impression that both Bernie and Hillary were more comfortable when it was still ‘gloves on’? I get the sense they are both sane enough to be uncomfortable with the egotistical sniping that the final days of a head-to-head must inevitably become. This is in marked contrast to the GOP—they’ve long since disqualified themselves from the list of respectable candidates. They are far too happy in their playpen, holding dick-measuring contests when they had an opportunity to discuss the issues for months—hell, years now. Their ambitions are front and center, completely overshadowing any sense of service or responsibility to the public—and while you may think it an old-fashioned attitude, in my view it disqualifies them from serious office, be their platforms whatever they may.

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We forget sometimes that the election is not wholly a popularity contest—no matter how much we treat it as such, it remains a serious decision with mortal consequences. Sanders’ young supporters flock to him because young people don’t need convincing, they just need inspiring—and it is a good thing that they are being inspired to play a part in their own democracy—I hope it lasts beyond Hillary’s nomination. Because the problems Sanders talks about need more than a populist president to fix—those problems require a quantum-level rise in political engagement from coast-to-coast, over several election cycles, if we’re ever going to have a chance at taming the super-wealthy’s de facto march back to monarchism.

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It’s daunting to think of—a quantum-level rise in political engagement, obtaining objective news sources, growing neighborhood bonds while our youth are ever more deeply seduced into the twitter-verse or VR-gaming helmets—the list of impossible things we need to do to fix the future goes on from there. We could just let the powers that be continue doing what they do—it might not be pretty, but who’s to say they won’t avoid destroying us all in the end, right? They know what they’re doing, don’t they? After all, they are in charge—even if they did grow up in an age when phones had busy-signals and cords—even if some of them don’t even understand how the world has changed—even if most of them see change as dangerous. They want the power? Let’em have it. At least, if it all goes to hell, we’ll have someone to blame. Why be so serious all the time?

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Friday, April 08, 2016                                              4:15 PM

The Bird Hearing   (2016Apr08)

I went for a walk yesterday—the birds were so noisy, I went back inside and got my camera. I shot three minutes and change of bird cacophony—the video is pretty unwatchable—I was focusing on the sounds—but that didn’t stop me from making two improv videos with the same bird footage. The music is different in each, but the bird songs are the same. I suggest just listening to the audio—the video, in spite of all I did to stabilize it in post, is nauseating.

It’s kind of a shame I got so wrapped up in the birds singing—the music is pretty good on both of these—they would have been nice all by themselves, I think.

 

Oh, and here’s one more from the day before yesterday:

 

bu-bye now.

Tweedly-Tweet   (2015Aug30)

Sunday, August 30, 2015                                         2:28 PM

I always knew I was special—and now I have proof. This morning I listened to a great YouTube of Leonard Bernstein conducting the Beethoven Symphony No. 6 (Pastoral) in F, Opus 68.

So maybe I had nature on the brain—but then I went to lie down and listen to myself. It’s not as self-centered as it sounds—I play CDs I’ve burned of my improvs, so that I have something to listen to while I roll cigarettes or watch close-captioned TV on mute or read a book.

I usually play it pretty low volume—just enough to hear it well without it actually striking my eardrums (I’m a sensitive flower) especially if I’m trying to read. By doing this I can hear when a particular improv has a sour note or an ugly passage—any awkwardness of execution, beyond the endemic. It interrupts my thinking—because, like everyone else, I’m used to perfect music coming out of loudspeakers—it’s almost impossible to imagine an album with a sour note on it. Not surprising, since a recording studio is basically a perfection filter that catches any trace of clumsiness and rules it right out—not that there’s anything wrong with that…..

I’m occasionally, pleasantly surprised by a bit of musical soaring that catches my ear in a rare piece—something that makes me proud. These are important for several reasons—one, obviously, it encourages me to continue playing Don Quixote on the keyboard. But I also play them back repeatedly, trying to take note of what I did and why it works and how I might use it in future.

There are, among those rare moments, even rarer instances where the key to what makes a passage striking is the emotional energy—not something I’m famous for, but it shows its head every decade or so. These passages stymy me—how can I transport myself into inspiration once I’ve sat down to play? You might as well ask me to fly.

Anyway, sometimes I listen to myself turned up real loud so I can hear every sound and nuance on the recording, just to make sure I heard everything I did—and whether any background sounds that might ruin the recording show up at high volume. That’s what I was doing today—I had the Bose cranked to 50—and I get to the third track, which is called “Blue Lake”. Now Claire and I have often joked that the birds outside our windows like to sing along with me at the piano—and it did seem kinda eerie sometimes, but I was too busy to pay attention.

Blue Lake:  

26 seconds in you hear a cricket or cicada or something, then after a minute in, you hear a bird chirping along for two minutes or more, with occasional chiming in throughout. But it’s right on the beat—you can even hear it get a little huffy about my messing up the beat (which I do).

So, I jumped up and went to tell Claire about it in the living room—and while we were talking about how strange it was, I felt inspired and began to record today’s improv, while Claire studied on the couch—and after a minute and a half of playing, the darn bird sang along again—but Claire says it was a different bird. There’s some other birds in there, too—although I can’t say whether the crow was doing his own thing or what. Once I heard them chiming in, I started to play to them, looking around the upper register for stuff they might react to—ultimately, this is less a musical piece and more a dialogue with my avian house-hangers. So I guess I have a fan club—boy, do I feel special.

Tweedly-Tweet: 

So that’s my day so far..

Bring It On   (2015Feb20)

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Friday, February 20, 2015                      9:56 AM

Looking at a possible record for coldest day today, I woke up, went to the kitchen and turned on the oven to 425 with the door open, turned on the plasma TV in the bedroom (plasma TVs act as space-heaters, which helps in winter, but is not so good in summer) and put the space heater on full blast in the foyer. It’s still pretty chilly in here, so I’m sitting at my PC with a scarf and Elmer-Fudd-hat on. The only way to warm my hands is by holding them over the open oven door, but then I’m breathing in the heat coming straight up at my head, so I can’t do it for long.

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Winter takes a lot out of a guy. Whenever I think of spring, I feel an overwhelming weariness at the thought of all the days between now and then, all the hours of chilled bones, stiff muscles, and runny noses. I hung one of those seed bells from a tree branch outside the window yesterday—I’ve been putting it off because it’s been too cold to run outside, but then I thought of how hard it must be for the birds to find food right now, so I forced myself to get out there and do it. I couldn’t tie a good knot with that nylon webbing they come in—I expect it to be on the ground, being gnawed at by squirrels, before the day is out. Even then, the birds will still get the small seeds that the squirrels leave behind, so it’s not a complete waste.

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I wish I could, with a snap of my fingers, hang ten of those things from squirrel-proof wires all around the property and just make our yard a bird’s winter paradise—but all that ladder work is problematical when there’s more than a foot of snow on the ground, so that will remain a fantasy. Tough luck, birds.

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I’m expecting a visitor or two today, but I won’t be surprised if no one shows up. It’s tempting to think of just going back to bed and calling the whole day a wash. Winter always makes me politically incorrect—there’s nothing sounds so good to me right now as ‘global warming’. Warming, did you say? Bring it on!

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Lucky Me (2015Feb06)

Friday, February 06, 2015                                6:25 PM

I just received a belated birthday gift from my mom—one of those tea infusers that look like miniature medieval weaponry, a tea ball. (She also sent me, among other gifts, what Bear likes to call ‘Clown Pants’ which are red plaid flannel pants with an elastic waist and a string-tye tightener—but we won’t go into my propensity for garish apparel.)

I shoulda tooka picture—but instead, I have used Bear’s latest quilting project as my front- and end-piece illustrations. She does wonders with a needle and thread—I love her work.

Yesterday and today I tried to play two dances from “The Fitzwilliam Virginal Book – Vol. I”:

“XIII. Pavana.” by John Bull, and

“XIV.  Alman.” by Anon.

Yesterday’s recording was terrible, so I tried again today and got an acceptable rendering from the Fitzwilliam—still, pretty-decent Piano Improvs from both days’ recordings, so I have two of those today—lucky me.

But first, I play two of my favorite pieces from this ancient music book. You can hear birds singing outside during the performance (our local birds come for the bird-seed but they stay for the concert—and they like to chime in). It reminds of those pieces in which composers like Handel or Couperin would try to score music to sound like birds—I find it’s much easier to simply invite them to sing along…

 

 

 

Tweet-Tweet…Tweedle-De-Dete (2014May14)

Hi All. For today we are serving a taste of bird songs, followed by four folk songs from Russia–after that, I just happen to have an Improv, as well. Enjoy!

Being out in the yard is not just pretty flowers–you can hear the birdies singin, too. Stills of the shoot are displayed below the two videos…

 

 

 

 

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Helpless Against Monday’s Destructive Power (2014May05)

Howdy, y’all!

Here are two more improvs:

 

 

-and-