Friday, December 09, 2016 2:51 PM
Just because George Winston is the greatest single influence on my piano efforts, there’s no reason to blame him for what I post. I’ve listened incessantly to his recordings—but that is true of at least a hundred other artists—still, I don’t know the man. I don’t know what he’s doing—I’ve always just tried to sound ‘as good’ as he does—knowing full well that a great deal of the appeal to his recordings is the ground-breaking sound-engineering, capturing the lushness of a great concert piano, played by a master.
But I believe we approach these piano-things from opposite ends—he is a talented musician who practically founded the New Age movement, by bringing a geometric, yet non-baroque, technique to lyricism. I was drawn to his music because of my mathematical bent, and tried to lever my lacking abilities through the use of similar stylings—a far more superficial pecking at the borders of musicality. My goal remains to somehow sound ‘as good’ as George Winston, someday.
I don’t expect to achieve it—George Winston is the goods—and he’s as comfortable with classical as with folk, blues, or rock-n-roll—and has his own unique style, into the bargain. But why should I set small goals for myself?