SOS [Same Old Stuff] (2014Apr27)

Of all my piano playing, the most common improvisations I do are all in a minor–so don’t be too disappointed if these two sound very familiar…

(Sometimes, it’s just about working the ax)

 

Clean Up and Apology (2014Apr15)

Here are the final four videos I will be shooting with the broken, busted, blurry camcorder–a new unit is on its way. If I can control my compulsion to make videos until Friday, I should be all set.

As for the titles, yesterday’s improvs seemed a sorry result for all my decades of listening to and performing classical music. So, these titles are by way of apology to the titans of classic music.

Today’s title should not be unfamiliar to anyone pressed for time on April 15th.

In spite of being unwatchable, I do hope some of you may enjoy listening to these videos…

 

20140414XD-Improv-Bach_s_Fate(TitlesCARD)

20140414XD-Improv-Beethoven_s_Tomb(CreditsCARD)

20140414XD-Improv-Brahms_s_Downfall(TitlesCARD)

 

20140415XD-Improv-ExtensionFiling(TitlesCARD)

Blurry (2014Apr14)

Unfortunately, my camcorder has opted for ‘permanently out of focus’, so until I can replace it, and since it can still record the audio alright, I’ll be posting blurry videos. My apologies in advance–will put a rush on the replacement, but first must get OK from the boss (Claire)…

 

 

One Grisly Nightmare [& Two(2) Piano Covers]

20140329XD-Improv-WeekendWarrior(CreditsCARD)

 

Five Spot for (2014Mar26)

You’ll find lots of flubs and fluffs in the two sheet-music videos–can’t be helped. Try the three Improvs–they’re more listenable.

Two – fer (2014Mar14)

**************    **************    **************

**************    **************    **************

 

 

**************    **************    **************

**************    **************    **************    -bye!

One Solo, One Duo (2014Mar05)

 

 

Thudeh, Thudeh, Thudeh, That’s All, Folks!

Happy Birthday To Me!

rapidly expanding supernova ejecta.

rapidly expanding supernova ejecta.

Today being my birthday, I was sung to quite a bit. It’s a nice song, but I went ahead and played two improvs of my own: ‘Happy’ and ‘Birthday’. I hope they sound happy–I certainly felt that way while playing them.

Happy

Happy

 

Birthday

Birthday

 

 

SuperNova

SuperNova

 

Four by Three (2014Jan29)

20140125XD-Improv-SupermarketMonday(TitlesCARD)

20140125XD-Improv-TheSteppes(TitlesCARD)

 

20140129XD-Improv-TheTundra(TitlesCARD)

 

20140129XD-2ByDietzN_Schwartz-DancinNDDark_n_AloneTogethr(TitlesCARD)

Please Note: The last video is two song covers of songs written by : Howard Dietz and Arthur Schwartz

====================================

From Wikipedia, the free encyclopedia: Dancing in the Dark (Howard Dietz and Arthur Schwartz song)

“Dancing in the Dark”
Music by Arthur Schwartz
Lyrics by Howard Dietz
Published 1931
Recorded by Artie Shaw, Ella Fitzgerald, Frank Sinatra, Fred Astaire, et. al.

“Dancing in the Dark” is a popular song first introduced by John Barker in the 1931 revue The Band Wagon.
The 1941 recording by Artie Shaw and His Orchestra earned Shaw one of his eight gold records.
It was subsequently featured in the classic 1953 MGM musical The Band Wagon and has since come to be considered part of the Great American Songbook.

====================================

From Wikipedia, the free encyclopedia: Alone Together (song)

“Alone Together” is a song composed by Arthur Schwartz with lyrics by Howard Dietz.

It was introduced in the Broadway musical Flying Colors in 1932 by Jean Sargent. The song soon became a hit, with Leo Reisman and His Orchestra’s 1932 recording being the first to reach the charts.
The first jazz artist to record the song was Artie Shaw in 1939.
====================================

Rowynn | Subjective

Rowynn is the Cianflone Bros.

Richard and Peter Cianflone (fresh off the plane from their whirlwind European tour)

Rowynn | Subjective

Richard and Peter Cianflone’s most excellent CD!

“Rowynn | Subjective” is Brand New….

Buy Now–show your support!

must kill!

The Brothers Cianflone (In a former Era)

(or get it at Amazon: “Subjective” from Amazon)

I enjoyed multiple listenings to this wonderful album–yes, they are old friends, but that’s beside the point. I would feel quite an idiot if I were to recommend any music other than my own favorites…

So, enjoy..

Four New Vids (2013Dec20)

Okay, I have a long one here, 20 minutes or so of xmas carol songs–I neglected to sing along, so it’s just the piano part.

Then I did two improvs in that same recording session that I’m calling ‘xmas stuff’ & ‘more xmas stuff’.

And the final upload, a left-over from a few days back, totally non-holiday-related.

Enjoy…

 

 

 

 

 

Xmas Carols

 

Sunday, December 01, 2013                3:32 PM

Well, it’s December, at least—long past the appropriate time to bring up the holiday season, to most marketers. But Xmas is not so easily tamed. We give our thanks in November, we give our presents in December, and we give ourselves new goals at New Year’s, the first day of next year. Xmas is in the middle but gets the lion’s share of the focus—giving things to each other calls to that materialism we all have at least a spark of—but it is an event, and in so many senses, more engaging than the more ritualistic form of the ‘book-ends’ holidays.

So I prefer to keep each event to its place and I never begin to play Xmas carols on the piano (and worse yet, sing) until December 1st. Xmas has pressure enough—and in the nadir of Winter—with the expectations needing filling and the mandatory purchases having unbalanced a recently comfortable account balance.

More’s the pity—the Winter fest of Europe’s ancienter times was a blow-out in every sense of the word—even sometimes electing a ‘governing fool’ who gave orders to the gentry—but always including drinking too much, brawling for no reason, and debauchery among the adults of the community. Even burning down a house or two was considered no great extreme—and the first thing the Reformed Protestant Churches did was outlaw the celebration of Twelfth Night, or Yuletide.

This did not stop people from celebrating—and it’s my guess that the raucous outburst of pent-up tension was the very best way to prepare for the group to live all huddled together, indoors, for most of the winter. Today, with stress an unavoidable fact of life, it makes little sense to have the holidays be filled with guilts and repressions—as it is celebrated by a tremendous number of Americans today. But even that undertow of familial and social demands on the celebrants does not define Xmas (no matter what Chevy Chase would have us believe).

I believe that Xmas has become an emotional refuge, its most important function being to allow us the fantasy, at least for a day or few, of thinking our lives have the same simplicity and cyclic regularity that those pagans once enjoyed. Most rituals have been stripped away from modern life, aside from weddings and birthdays—the number of people with ashes on their brow on Ash Wednesday is so sparse that it can disturb non-Catholics coming upon it the first time that day—they impulsively tell one he or she has a smudge on their forehead.

Those fortunate enough to be raising children focus the entirety of the ‘Season’ to their children’s (hopefully) treasured memories—the things parents hope their children will reproduce with their own families, some day. And no childhood fantasy is so seriously guarded as the ‘belief in Santa Claus’. This dichotomy between kids and adults has its good side, I guess, but I could never see it as different from ‘lying’, so we had no great emphasis on Santa’s reality—the kids are more interested in the presents, anyway.

That it is a stupid idea is confirmed, by my reckoning, by the number of stupid Christmas movies that focus on the maintenance of this myth as a humorous plot point.

Xmas has to do with being in the northern states, Washington to Maine, or thereabouts, and walking through snow to bring your freshly chopped-down pine tree into your living room. Anything else is not a Hollywood-approved location for this coziest of holidays—one can never feel quite as good about oneself as when donating to (or better yet, feeding) the wretched poor when the ground is covered with snow.

New York City has a slightly different take on the season, but is still within prescribed conditions to be a ‘real’ Christmas. It adds a lovely dollop of urbanity—window displays, municipal decorations, office parties (though not as solid a tradition as once was) and seeing the toys in FAO Schwarz’s and the big Xmas Tree in Rockefeller Center, on ones way to Radio City Music Hall for the traditional “Nutcracker” show.

 But the full-on, tradition-filled Christmas happens in New England—plenty of indigenous pine trees, a good chance of snow on the ground (before Climate Change, anyway) and tree ornaments that may have passed down through three or four generations. Ordinarily, the head of the clan will have ‘the family’ to their big house and make a short week of the holiday.

I watch nothing but the Hallmark Channel for the whole of December—I can’t get enough of these crazy movies—Elves fall in love with humans; Santa’s son doesn’t want to take over Christmas; a poverty-stricken family somehow find themselves living in a big, beautiful house in a lovely, loving, small town; Santa’s sleigh is stuck in the shop; A reindeer with a fluorescent nose flies at the front of Santa’s team—you know the drill.

However, it isn’t entirely Hallmark’s fault—it was Charles Dickens’ “A Christmas Carol” that gave Christmas its wish-fulfillment aspect. It was his idea that the ‘Christmas Spirit’ was a mandatory giver of grace to even the most twisted misanthrope. The idea that hard-nosed business-people were a blight on society wasn’t new, but the ludicrous suggestion that they can be convinced to open their hearts one day a year…  —all Dickens.

And now Hallmark channel has evolved into a cornucopia of sappy, sentimental hogwash, non-stop for 25 full days of nothing but Xmas movies. I am fascinated by their transmutation of human ritual into wish-fulfillment fantasies and Cinderella-type romances. There’s plenty of sneaky elves doing magic and smirking behind a corner at the surprised humans—there are plenty of BFFs that make seemingly trivial remarks that resonate with the movie’s plot-line (or it’s title—which in some cases is the movie in a nutshell, for example: “Snow Globe”).

But sometimes I catch them in a new bit of blasphemy—this year (unless I didn’t notice in previous years) was the use of the tag-line, ‘Hallmark, the Heart of Joy’! Can you imagine? “Joy: def. Intense and especially ecstatic or exultant happiness”.  In a religious context (if I may suggest that Xmas has a religious context) ‘joyfulness’ is the ecstasy felt by those who worship the newborn son of God. I’m sure Hallmark was just looking for a generic word, like ‘tinsel’ or ‘stocking’, to suggest Xmas without confining their audience to any specific religion—but in my opinion, ‘Joy’ can be seen as overstepping by sensitive folks like me.

Besides, Joy is pretty strong language, especially when describing the most shamelessly sugary genre of cinema in the world today. Maybe ‘Hallmark, the Heart of Sweet’ ? If you want to see something crazy, check out the Xmas Movies listing of your current cable provider, TV, Hulu, or Netflix—thousands of these films—and Hallmark makes five or ten new ones every year, just to cement their place at the forefront of kitsch. So I guess it’s what you call a ‘guilty pleasure’ for me to watch these movies on Hallmark channel for hours on end. I don’t approve of Hallmark’s immersion in the treacle of holiday sentiment—far from it.

Hallmark has a much older claim than computers to destroying our literate holiday traditions—the whole point of a card, back when, was that you made it yourself—put some thought and feeling into it. Lots of people still do that, but very few Americans—‘we care enough to send the very best’, as Hallmark once drummed into our ears, back when they were merely a greeting card company. All the little notes and present tags and letters from old friends—they are nowhere to be seen in modern American Xmases.

So I lie in bed and allow the false joy of Hallmark channel to wash over me. I wonder about the kids of today—how much of their holiday season is torn from their focus on the gadgets they all have now? How many kids get sleds for Xmas, compared to how many get the latest gaming consoles or handheld electronics? And I wonder at the power of my conditioning as a child, that even now as an atheist of decades, I still think Xmas has great value and should be treasured for whatever few truly human exchanges of love and joy (and presents) it still engenders, in spite of the tinsel.

Backlog

I’ve just been catching up to myself–all recordings from the past eight days have now been processed:

 

Hope you enjoy….

Graphics Explosion

Okay, two new improvs and a look at some of the artwork contained in my video uploads:

GRAPHICS:

Back in the I-beginning, museum sites had no restrictions on downloading graphics of their paintings, sculpture, etc.

Back then, it took minutes for a hi-res graphic to download off a phone jack ISP, but I knew that someday the doors would all be locked–so I downloaded graphics like an obsession. Nowadays, security on graphic image files is pretty tight. It’s all ‘information’ now, and information is ‘owned’ now, too.  But I don’t commercialize my sites, so nobody looks too closely. Also, there are special programs like that of the Rejksmuseum in Netherlands, which allows a user to download graphics of their masterworks for non-commercial use. I still grab stuff off the Google-Image search, but I have to be more careful about snagging something off of those new ‘graphics by fee’ sites–one of them threatened me with legal action a few weeks ago!

Anyhow–here’s some of my latest ‘artwork’ in service to my YouTube channel uploads, and the original files I used for graphics backgrounds. You’ll notice that I over-lighten or over-darken these paintings to make my Text stand out and be legible.

20131019XD-Improv-GYup_01_Art-HorseLexington-1968-Good

20131019XD-Improv-GYup_02_200_Currier_&_Ives_Ready_For_The_Signal

20131019XD-Improv-GYup_03_No_Known_Restrictions_Horse_Racing,_Currier_&_Ives_Lithograph_1890

20131019XD-Improv-GYup_04_Trotting_Cracks_on_the_snow

20131019XD-Improv-GYup_05_english_hunt_fence

20131019XD-Improv-GYup_06_Hunter

20131019XD-Improv-GYup_(CreditsCARD)

20131019XD-Improv-GYup_(TitlesCARD)

20131019XD-Improv-HYup_(CreditsCARD)

20131019XD-Improv-HYup_(TitlesCARD)

20131022XD-FitzWllmVrgnlBk_XV_Robin(TitlesCARD)

20131022XD-FitzWllmVrgnlBk_XVIII_BarafostusDream(TitlesCARD)

20131022XD-FzwlmVrgnl_17thCenturyEnglishMusic_01

20131022XD-FzwlmVrgnl_17thCenturyEnglishMusic_02

20131022XD-FzwlmVrgnl_17thCenturyEnglishMusic_Barfastus_s_Dream_01

20131022XD-FzwlmVrgnl_17thCenturyEnglishMusic_Barfastus_s_Dream_02_Baschenis_Musical_Instruments

20131024XD-Improv-Factory(TitlesCARD)

20131024XD-Improv-PrototypeX(CreditsCARD)

20131024XD-Improv-PrototypeX(TitlesCARD)

20131026XD-Improv-AdAstra(CreditsCARD)

20131026XD-Improv-AdAstra(TitlesCARD)

20131026XD-Improv-Aspere(CreditsCARD)

20131026XD-Improv-Aspere(TitlesCARD)

20131026XD-Rijksmuseum_MyStud_Art-Nouveau_interieur_anoniem_1890-1910

20131026XD-Rijksmuseum_MyStud_Delftsche Slaolie-Jan_Toorop_1894

20131026XD-Rijksmuseum_MyStud_Het_stadhuis_op_de_Dam_in_Amsterdam-Gerrit_Adriaensz-Berckheyde_1672

20131026XD-Rijksmuseum_MyStud_Portret_van_een_vrouw_tussen_bloemen-Eva_Watson-Schütze_ca_1910

20131026XD-Rijksmuseum_MyStud_Seated Cupid-Etienne-Maurice_Falconet_1757

201320811XD-PreRaphWomen_GoldenTrio

20131026XD-Rijksmuseum_MyStud_Mantelpiece_w_relief_of_Paris_n_Oenone-Jan_Baptist_Xavery_1739

A Pretty Good Day…

I got two decent improvs out of today:

 

 

 

You Are Everything And Everything Is You

Siren-UofVTc036

I feel like I must have done something wrong. It just came to me that I’ve hardly ever cared about anything but music. I used to draw and paint to pass the time—I was good at it and I liked being able to impress people—but in the end, it wasn’t something I had to do. Same with reading and writing—a fantastic way to spend time—and it always took me away from the most unbearable environments—in the same house with an arguing family, being a brat on a bus full of brats, being stuck on a long line, and others. So I draw, read, and write here and there—but there’s only one thing I have to do—listen to, and play, music.

Ulysses-sirens-Draper

From that perspective, I can visualize my whole life, my jobs, my social interactions, my buying habits—as one big structure whose purpose is the perpetual availability of music to listen to, and a piano to practice and play on, and a stack of songbooks to sing from. Don’t get me wrong—many of my hardest efforts were in service to my Claire and my Jessy and my Spence. But anything I do for myself is unfailingly music-related. Nothing else has that feeling of obsession that I just can’t shake.

SirensBoutibonne

Unfortunately, I was not blessed with any talent for music—in general, I’m pretty awkward—and at piano, I’m markedly so. Any slight ability I display now, at the age of fifty-seven, is due to daily practice since the age of fifteen. And whatever ability that may be, it is easily out-shined by any toddler with musical talent and a few weeks of lessons. Do I have a great knowledge of music? Yes, indeed. And do I have a familiarity with music history that goes beyond that of nearly everyone? I do. But I’ll never be a musician, in the normal sense—I must eternally satisfy myself with my own puny capacity, and my improvisations (in which I attempt to make strengths of my weaknesses).

pygmalionNgalatea

Thus, there is a Zen aspect to my music-making—I must see my music as one thing and ‘real’ music as another. Otherwise, I’d have to give up the piano. It makes for a unique situation—there aren’t many pianists who practice every day, but never perform in public, never collaborate with other musicians, and are still waiting, forty years later, to get ‘good at it’. But that it exactly my case.

odsirens

The one thing that remains invisible to everyone else is the satisfaction I feel when I’m playing improvisationally—every day, I imagine that today’s improv is tremendous. Most days, I have a camcorder running and when I see the playback or burn a CD to listen to it, I hear something that is not at all tremendous—in fact, it stubbornly sounds like me playing badly—it’s mystifying.

persephone

I’m lucky, I guess—when I was young, I was very bright—I got used to being sure of the right answer, even when everyone else thought differently—it is a very good attitude—I wish I could share it with people who didn’t do well in school, who became averse to non-conformity and repelled by new data. I always feel sorry for people who disqualify themselves from learning, reading, listening to classical music—someday they’ll run schools so that the slower kids will have as much respect for their own viewpoint as they do for the teacher’s—but I won’t hold my breath.

herculesL

So much of my life is a hot-house flower—it can only survive because the conditions are perfect for it. I don’t have to spend the majority of my time at an eight-hour job every day, because of Disability. I have a very fine baby grand in a living room that really only rates an upright. I have the advantage of having been mentored by Matt Glaser in junior high, and Gil Freeman in high school. I was raised to sing Christmas carols and Boy Scout campfire songs, and to sing along with the AM radio pop tunes of my day. As the cherry on top, listening to records of both Keith Jarrett and George Winston taught me, at an early age, that playing the piano can be as much a cathartic experience as a performance.

Godessette

When I was a teenager, in the heat of a summer day, I could put LPs on the record-player—Glenn Gould playing the Well-Tempered Clavier, Books I and II, by Bach—and it would have nearly the same effect as an air conditioner—the cool, geometrical perfection of Gould’s Bach affected me in a physical way. Tchaikovsky’s 1812 Overture would make my blood hot and ready for battle. Silly little pop tunes could make me feel like my heart was breaking (and I loved having my heart broken) or that I was ‘king of the world’.

A-Sirens-Berlin

My sincerest sympathy I reserve for the people that see music as one thing—as rap, or as Bob Dylan, or as Theophilus Monk. Even confining oneself to a single genre is, to me, a tragic waste of potential experiences. I like medieval music, Bulgarian folk choirs, baroque recorder music, the Beatles, the Beach Boys, Enya, Michael Hedges, Carol King, Randy Newman, Leroy Anderson, John Williams (the composer and the guitar player who made the name famous first). I like the Archies, the Partridge Family, the Monkees, Air Supply, Bread, Kris Kristofferson, Andrew Lloyd Weber, Barbra Streisand, Harry Nilsson, Artie Shaw, Glenn Miller, John Philip Sousa, the Roach Sisters, both Guthrie’s (Woody and Arlo), Judy Collins, Burt Bacharach, and just about every other ‘bad’ musician overlooked by ‘serious musicians’.

CombWBattle

I’ve seen every musical movie ever, I watched Bernstein’s TV programs on music appreciation when I was little, I listened to every Nonesuch record in the library, back when Nonesuch produced LPs from ‘Bulgarian Folk Music’ to the ‘Koto Music of Japan’. Music is so much a part of my life that if it was excised from my history, my biography would read: “I am born. I get married. I have a family. I die.”

fantasy-fairy-sirens

And that being the case, it seems rather unfair that I should be without even a hint of musical talent—but nobody expects life to be fair, and for good reason. I think it has been good for my character, such as it is—overcoming failure every day is character-building, if nothing else. My dreams of being a great musician would probably lack their zest if I had the slightest idea of what being one is really like. Isn’t that strange? On the plus side (and I say this all the time) it’s good to have a life-long pursuit that can never be completed. I know that Yitzhak Perlman could say the same thing—but being the world’s greatest living violinist, he doesn’t have to focus on that particular fact the way I do.

Boreas_s1

A Busy Thursday

XperDunn plays Piano on August 15th, 2013    Improv – Concord Grapes:  NOTE: ‘Grapes’ graphic downloaded from https://www.facebook.com/oldmosswoman on 08/15/2013

Improv - Concord Grapes   (2013Aug15)

Improv – Concord Grapes (2013Aug15)

 

 

I fell asleep watching “The Big Wedding” last night, so I watched the end this morning. Great movie, BTW. Then I noticed that the End Credits music was a jazzy, personalized, “Row, Row, Row Your Boat” by a familiar-sounding female vocalist. So I waited for the music credits at the end (as I usually do) and saw that I was right–it was one of the cast singing, Christine Ebersole. I had never enjoyed “Row, Row, Row Your Boat” quite so much before, and she inspired me to do my own improv on the tune. While looking her up online, I found her husband’s, William J. Moloney’s, artwork, so I snagged it for my the Title screen of my video…

Improv - "Row, Row, Row Your Boat"   (2013Aug15)

Improv – “Row, Row, Row Your Boat” (2013Aug15)

 

Improv – “Row, Row, Row Your Boat” (2013Aug15)

NOTE: Christine Ebersole, winner of the 2007 Tony Award for Best Actress in a Musical, gave her all (talents-wise, that is) for her latest movie, “The Big Wedding”–during the end credits, Christine Ebersole (who plays ‘Muffin’ in the

film) sings her jazzy rendition of “Row, Row, Row Your Boat”, which inspired me to fiddle with it too…

In looking her up I learned she is married to William J. Moloney, a graphic artist–so I stole one of his collage images for the Titles and Credits cards! See the actual work of William J. Moloney [including Collage: “Love’s Oasis”]

at williamjmoloneyDOTcom.
——————————————
XperDunn plays Piano August 15th, 2013 – Three (3) by George and Ira Gershwin-   “Embraceable You”   “A Foggy Day”   &  “I’ve Got A Crush On You”:

"Embraceable You"/"A Foggy Day"/"I've Got A Crush On You"

“Embraceable You”/”A Foggy Day”/”I’ve Got A Crush On You”

XperDunn plays Piano
August 15th, 2013

Three (3) by George and Ira Gershwin:

——————————————
“Embraceable You” Music by George Gershwin Lyrics by Ira Gershwin

[From Wikipedia, the free encyclopedia:

“Embraceable You” is a popular song, with music by George Gershwin and lyrics by Ira Gershwin. The song was originally written in 1928 for an unpublished operetta named East is West.  It was eventually published in 1930 and included in the Broadway musical Girl Crazy. where it was performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.  Billie Holiday’s 1944 recording was inducted into the Grammy Hall of Fame in 2005.]

——————————————
“A Foggy Day” Music by George Gershwin Lyrics by Ira Gershwin

From Wikipedia, the free encyclopedia:

[“A Foggy Day” is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled “A Foggy Day (In London Town)”, and is often still referred to as such. {I have mislabeled it here on the video, as }”A Nightingale Sang in Berkeley Square”, a romantic British popular song written in 1939 with lyrics by Eric Maschwitz and music by Manning Sherwin. {Sorry for the confusion!}

Berkeley Square is a large leafy square in Mayfair, an expensive part of London. The Ritz Hotel referred to is also in Mayfair. With its sweet, wistful song the European Robin is a likely source of the legendary Nightingale, as birds, stimulated by the street lights, can often be heard singing in cities during the night.]

——————————————
“I’ve Got A Crush On You” Music by George Gershwin Lyrics by Ira Gershwin

From Wikipedia, the free encyclopedia:

[“I’ve Got a Crush on You” is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions, Treasure Girl (1928), and Strike Up the Band (1930).]

The Vagaries of Emotional Cycles

Today was a rest day. Not that I actually schedule rest days—I only have days of high activity, high productivity days, terrible days, and rest days. I like days when I’m active—I get up and move around, even go outside; I talk to people; I do the crossword; I write, draw, or play the piano—anything that rouses the circulation at least a little, anything that puts some spark in those brainwaves.

VaticanMusic02

Such activity inevitably leads to a productive period. I’ll record some piano music; I’ll write op-ed-type essays; I’ll scan in some old artwork or I’ll photo-shop my artwork and my photos, whatever I usually do when I feel like I’m involved in life, even if only peripherally. The ultimate goal is to ‘Post’ things to my online friend-circles—a finished recording, a proofread essay, some graphic artwork of my own creation. Not everything I write gets posted—and I’ll tell you why I’m glad about that. If I was comfortable posting everything I wrote, I wouldn’t be getting at the heart of things that are important to me.

VaticanMusic03

And that’s probably the same reason I can’t get a toe-hold on any fiction-writing—if I wrote about things I care about, things I felt are too personal to share with ‘the public’, even in fiction form, I would feel too exposed. Plus, all my characters would be transparent ‘takes’ on the people closest to me—my family and friends. So, even if I was comfortable laying myself open to the world at large, I wouldn’t feel right using people I care about as characters in a story. Sometimes, when I’m reading something, I’ll wonder to myself about the author and whether he or she felt embarrassed about certain scenes or dialogues, especially when it involved recognizable characters from their actual life.

VaticanMusic05

Anyway, it’s not for me. I don’t think I could write an intimate love-scene and be okay with my children reading it, or my mother, or my neighbors, or really anybody—no, writing fiction is for thicker-skinned people than me. And I see no point to writing fiction that can’t be shared with the world. Still, I can write essays to myself about myself—that falls under the heading of ‘therapy’ (like those letters they tell you to write and then tear up when you’re mad at somebody). And I have felt certain instances of clarity that came as a result of putting my thoughts and feelings into words.

VaticanSeal02

But I often rant about public issues and historical perspectives and my ideas about what’s going on in the world—and those I can gladly post. Likewise, a lot of my piano recordings don’t make it to YouTube. Some days I record 45, 50 minutes of piano, but have to edit out everything but the six-to-twelve minutes of Improv (when there is an Improv). And my drawings, too, are edited and selected for posting, with many being too poorly drawn or too weird to share with the world. My productive days always follow my active days, but sadly my active days don’t always result in productivity—a lot of being good is working and practicing, and I’m hard enough to listen to when I’m recording intentionally for a YouTube posting!

VaticanSeal02w

That’s my active days and my productive days—then there’s the recoil. After posting a particularly felicitous piano improv, or essay, or poem, there’s a feeling of incompleteness—and the better I feel about a post, the more it hurts to watch it just lie there, no likes, no plays, no comments. Some days, when I feel I’ve reached a new quantum-level of quality, I could almost scream, “Why won’t anyone look or read or listen? How can this incredible effort go unnoticed?!?”

pom12

The truth is, I avoid the usual means suggested for building an online following—building my list of contacts and followers, posting my stuff to a site that is a platform for a specific art form, ‘liking’ other people’s posts to get them to feel obliged to return the favor… All that stuff reminds me of my old ‘mailing-list’ days, when very ambitious entrepreneurs would start a catalog mailing just to acquire a list of people who were proven likely to buy something from an expensive (‘high-ticket’) retail catalog. All these tips about networking and building a client base aren’t really new—they’re just new as an online activity. And it’s all salesmanship—it requires the same brain activity as selling cars: the oily friendliness, the tempting of the prospect’s ego, the jabs at the prospect’s sense of inadequacy, and the mind-games of ‘closing’ the sale.

pom11

It’s all hucksterism—and I used to get paid to do it professionally—I’m not even a little bit inclined to do it as a ‘hobby’. Plus, while I knew the techniques of ad-copywriting, targeted marketing, eye-catching layouts, and glossy presentation, I was never good at the face-to-face stuff. I’ve never been good with people, unless they were as guileless as I am—babies and pets seem to love me—big clients and movers and shakers—not so much.

Stigma

So my online followers are few and I have no plans to try to increase their number except through random happenstance. That doesn’t change my despair at having no hits on my latest post, but it does explain how I can hold on to the conceit that I might be good at something, while having no practical indication of that possibility from my ‘audience’ of friends and relations.

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So, productivity must give way to the whiplash of recoil—I put it out there, and nothing comes back—these make for bad days—and that’s over and above the ‘bad’ days of my physical functioning. These are days when I listen to my video over and over, asking myself, “Is it really good? Or am I too close to tell?” And I read my essays over and over. Sometimes I’ll find a typo, or a grammatical lapse—but mostly I just read them repeatedly, asking myself if I’m saying something worth hearing, or am I just making an ass of myself?

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Better are the rest days. These rest days come when I’ve done a lot over a short time span, my fingers are stiff, my mind is fuzzy and I don’t even try to do anything more just yet—and I am still high enough off my creativity-buzz that I don’t think about anyone else’s response to my stuff. I tell myself, “Just take it easy—you’ll be feeling better tomorrow.”

arena

New Covers and Improvs

Improv-WingNut

Click to Watch ‘Wing Nut’

Click to watch "Help Me Rhonda"

Click to watch “Help Me Rhonda”

Click to watch 'Woo Hoo!'

Click to watch ‘Woo Hoo!’

20130723XD-Windy-TITLE

“Cute” and Three (3) More Songs, plus 2 Improvs

“Cute” and Three (3) More Songs

A painting of Napoleon by Jacques-Louis David

click for Songs

Click for Improv

Click for Improv

Click for Improv

Click for Improv

Here’s the paperwork on all the Songs in that first video:

“Cute” and Three(3) More Songs (2013June16)

Xper Dunn plays Piano
June 16th, 2013

“Cute” & 3 more songs

‘Cute’
Music by Neal Hefti
Words by Stanley Styne
[ (c) 1958 by Intl. Korwin Corp. ]

Sheet Music / Score Source:
Hal Leonard Piano/Vocal/Guitar Series
“More Top Jazz Standards”
[All rights reserved by: Hal Leonard Publishing Co.]

****

‘Ma Cherie Amour’
Words and Music by
Stevie Wonder, Sylvia Moy and Henry Cosby
[ (c) 1968 by Jobete Music. Black Bull Music. and Sawandi Music]

‘Quiet Nights of Quiet Stars’ (“Corcovado”)
English Words by Gene Lees
Original Words and Music by
Antonio Carlos Jobim
[ (c) 1962 by Antonio Carlos Jobim ]

‘People Got To Be Free’
Words and Music by
Felix Cavaliere and Edward Brigati, Jr.
[ (c) 1968 (renewed 1996) by EMI Jemaxal Music and Delicious Apple Music ]

Sheet Music / Score Sources:

Cherry Lane Music Company
“Great Songs Of The Sixties”
[distributed by Hal Leonard Corp.]

All images are from the Paintings of:

Jacques-Louis David;
French: (Aug. 30th, 1748-Dec. 29th, 1825)
[an influential French painter
in the Neoclassical style
and Napoleon Buonaparte’s
portrait-painter]

(c) MMXIII by Christopher Dunn

Catch Of The Day (so to speak)

I had two videos come of this morning’s recording:

This first one is very exciting–I’ve never improved singing along with my piano improv before (not with any success, at least) but it takes me five minutes or so into it before I ululate–be warned!

20130603XD-Improv-DForceODAir_TitlesCARD_010

The lyrics (I think) are:

I’ll wait ’til you’re free
If you have time for me
I’ll just wait and see
If you can find time for me.

I’ll wait ’til you’re free
Wait and hope and see
I’ll wait, if you have time for me.

These title-card backgrounds,BTW, are graphics made of Winslow Homer’s (Feb. 24th, 1836 – Sept. 29, 1910) famous oil painting “Long Branch, New Jersey” (1869).  [for more about the painting, see:  The Athenaeum]

This second recording is pretty badly jacked-up, but there are moments when I don’t make a mistake for three or four bars…

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Now, please know that I have nothing but respect for Cole Porter’s incredible legacy–I only do them this violence because I can’t do any better. Apologies all ’round…

O, and of course, feel free to sing along….

4.2.7

The History Of Popular Songs – Episode Five (2013May07)

XperDunn plays Piano
May 7th, 2013

The History Of Popular Songs – Episode Five

The History Of Popular Songs – Episode Four (2013May03)

XperDunn plays Piano
May 3rd, 2013

The History Of Popular Songs – Episode Four

(covers of “Sweet Baby James”, “White Room”, and “A Whiter Shade Of Pale”)

The History of Popular Songs – Episode One

XperDunn plays Piano
April 22, 2013 (Earth Day)

The History of Popular Songs – Episode One

“Marching Along Together”
American Lyric by Mort Dixon
Words and Music by Ed Pola & Franz Steininger
(c) 1932 The Peter Maurice Music Co. Ltd.

“Masquerade”
Lyrics by Paul Francis Webster
Music by John Jacob Loeb
(c) 1932 Leo Feist Inc.

“Maybe”
By Alan Flynn
& Frank Madden
(c) 1935 Robbins Music Corp.

“More Than You Know”
Lyrics by William Rose & Edward Eliscu
Music by Vincent Youmans
(c) 1929 by Miller Music Corp.

“My Reverie”
(Melody based on Claude Debussy’s ‘Reverie’
French Lyrics by Yvette Baruch)
by Larry Clinton (c) 1938 Robbins Music Corp.

“No! No! A Thousand Times No!”
by Al Sherman, Al Lewis and Abner Silver
(c) 1934 LEO Feist Inc.

“Lara’s Theme” from
MGM Presents David Lean’s ‘Doctor Zhivago’
Lyrics by Maurice Jarre
(c) 1965 MGM, Inc.

“Just You, Just Me”
Lyrics by Raymond Klages
Music by Jesse Greer (c) 1929 MGM, Inc.

“The Last Waltz”
Words and Music by
Les Reed and Barry Mason
(c) 1967 Donna Music Ltd.

“My Little Grass Shack In Kealakekua, Hawaii”
Words and Music by
Bill Cogswell, Tommy Harrison,
and Johnny Noble
(c) 1933 Miller Music Corp.

“Like Young”
Lyrics by Paul Francis Webster
Music by Andre Previn
(c) 1958 Robbins Music Corp.

Songs by Richard Rodgers & Lorenz Hart (2013Apr04)

XperDunn plays Piano Covers
April 4th, 2013

Songs by:

Richard Rodgers
&
Lorenz Hart

Four Piano Recordings for Easter Sunday (2013Mar31)

http://www.youtube.com/watch?v=7h2MfApDQCY

Published on Mar 30, 2013
XperDunn plays Piano
March 30th, 2013

Improv – Merry Old Soul

http://www.youtube.com/watch?v=1Ua18WIs2Bs

Published on Mar 30, 2013

XperDunn plays Piano
March 30th, 2013

Improv – Merry Men Of Sherwood

A YouTube-links Update of recent XperDunn Improvs

XperDunn plays Piano (UpDate) for July 14th, 2012

http://www.youtube.com/watch?v=8EQgl2yDpx4

XperDunn plays Piano

March 30th, 2013

Brahms Piano Works

Johannes Brahms (May 7th, 1833–April 3rd, 1897)

Johannes Brahms (May 7th, 1833–April 3rd, 1897)

http://www.youtube.com/watch?v=GriY1tiV2AU

Published on Mar 30, 2013

XperDunn plays Piano
March 30th, 2013

Robert Schumann – Arabesque

Robt. Schumann (June 8th, 1810–July 29th, 1856)

Robt. Schumann
(June 8th, 1810–July 29th, 1856)

Three (3) Songs from the Movies (2013Mar02)

XperDunn plays Piano
March 2nd, 2013

Three (3) Movie Songs:

{ “Let The River Run” from ‘Working Girl’, “Moon River” from ‘Breakfast At Tiffanys’, & “Let’s Call the Whole Thing Off” from ‘Shall We Dance’ (1937)}

Category Entertainment
License YouTube Creative Commons Attribution license (reuse allowed)