Saturday, November 15, 2014 1:02 PM
Everything today is about the hook. I saw an online ad for Star-Trek spaceships (“Enterprises”, that is) for a low, low price—plus plenty of free extras—the only catch was that it was a subscription, and they would be sending me different spaceships, once a month, forever—and billing me for them, of course. I saw a newly released movie on my VOD menu. It was about a boy and girl who were far distant from each other but could see what each other thought and hear what each other said—it was a romance. I’ve seen the same premise, but only seeing through the other person’s eyes—it was a horror movie about a serial killer. Communication is so important.
The king of the hooks would have to be ‘The Heart Of Joy”, AKA the Hallmark Channel. Every year about this time (just before Thanksgiving) their schedule becomes one long expanse of Christmas-themed movies, most of them produced by Hallmark itself. I am shamelessly addicted—it’s worse than Law & Order re-runs. I just saw one where the young lady protagonist, who just happens to be named Krissy Kringle and just happens to live on Candy Cane Lane, receives a lot of mistakenly-delivered letters to Santa. One little girl sends a book, explaining that Santa had accidentally left his “Naughty or Nice List” when he visited her in the hospital.
Hijinks ensue, of course, and of a very Christmassy flavor. In the end, people are healed, lessons are learned, and Santa gets his book back. It’s like heroin—I can marathon this stuff for days at a time. But it got me thinking. Hallmark is like the Manhattan Project of sentiment—all things treacly are massaged to a fair-thee-well and dutifully squished out like Play-Doh from a Play-Doh factory. Is it evil? It’s difficult to say with the rubber hose between my teeth, probing for a vein—but I have my suspicions. I mean, it makes perfect sense—here are these actors—and actors are paid to pretend—so they pretend that they, and basically all people, are earnest, conscience-stricken, and well-fed.
It’s the season, so it’s no fair calling them out on the ugly truths of domestic poverty, bad parenting, etc., etc.—thus the problems are manageable in these movies, unlike the real problems we face in the real world. But then they have to add in ‘the real Mrs. Claus’ masquerading as a nanny for a troubled single-parent family or an Elf who wants to see what’s outside of Santa’s Workshop (and in a masterpiece of fiction, doesn’t go sprinting back home in screaming hysterics) or an old homeless man who turns out to be someone’s long-lost father, just waiting for love to make him whole again.
If, like me, you’ve seen news stories about some of the nightmares that pose as nannies for unsuspecting families—or rape statistics for elfin-shaped young ladies just moved to the big city—or the mental health obstacles that are so much of the problem when trying to undo homelessness, then you may find yourself strongly attracted to the Heroin, I mean Hallmark Channel. But is it healthy? I guess what I’m really wondering is—is it merely escapism, or is it as delusion-inducing as the Southboro Baptist Church? If we whip ourselves into a frenzy of Christmas-time love and faith, we may find ourselves hating The Un-Christmassy enough to kill somebody. It wouldn’t be the first time someone got upset about someone else killing the mood.
And what of the crash? When I switch off the TV and walk into the kitchen, I may find it difficult to handle the newspapers, visitors, and telephone calls I find there. Those other people may not have watched the same movie as me. They might not be quite brimming with the same surplus love of their fellow man—and punch me right in the nose, figuratively or literally. Watching the Hallmark Channel Christmas Movie Marathon may make it impossible for me to survive, away from my hi-def flat-screen.
However, there are commercials. The TV commercials, even Hallmark’s own, have a different texture from the movies—the treacle is still there, but the main motif is altered to ‘you need this thing to be happy’ followed by ‘buy this thing’. And even a Hallmark movie can’t completely obliterate such unadulterated huckstering. So, to be fully dosed with Christmas syrup, I always make sure I have a book to read. Yes, a book! You wouldn’t believe how long the commercial breaks in these movies are. One can easily read three or four pages before the movie comes back on—and, of course, I’m a virtuoso of the mute button—so I go from movie to book and back to movie quite seamlessly. The tone of the book can be problematical—the otherwise phenomenal Stephen King, for instance, is not recommended for this particular purpose. But I find that science-fiction novels can be a wonderful counter to Hallmark, as they both believe in wild optimism—even wishful thinking—but in two very different settings. My current commercial-break reading material is “The Peripheral” by William Gibson. It’s excellent, so far (as Gibson always is) if you’re looking.
But let’s return to the movies. By the end of New Year’s, I’m actually relieved to turn to that channel and find “Little House” re-runs, or something equally repulsive. I turn to the more reality-based programming of the other channels and Christmas is over for me. So what is this extended trance that takes me hostage each year? Perhaps, for me, it supercharges the ambient ‘Christmas cheer’ that naturally occurs in our lives. Or perhaps it makes more visible the falseness of the Season, a specific time in which we are obligated to be better people, to think kinder thoughts. Is it the human condition that caring must have a start and end point, like a race? Maybe we have the Holiday Season because humanity cannot bear very much reality—and the reality of kindness and caring is just too much of an effort to be part of our ongoing, normal lives.
It could be that the season of giving, rather than being a false pretense of our ‘better selves’, is really just the best we can do—one month a year, we try to be good. We don’t necessarily succeed—but we try—and that’s more than we can be bothered to do the other eleven months of the year.
